SOS has reviewed many previous incarnations of Sound Forge, most recently version 9 in the June 2007 issue (on‑line at /sos/jun07/articles/soundforge9.htm).
If you are new to Sound Forge, the SOS web site review archive is the place to start, and I'll concentrate here upon the key new features introduced in this release. #SONY SOUND FORGE PRO 10 PATCH DOWNLOAD ARCHIVE# In terms of core editing functionality and appearance, Sony have, thankfully, left well alone since version 9. At the time, Sound Forge 9 remained my weapon of choice for stereo editing, but when it came to CD compilation, I generally turned to Wavelab's Audio Montage options. Potentially, at least, this might now change, as the new release introduces Disc‑At‑Once CD burning: for me, at least, the clear highlight of version 10. As part of the set of tools that allows this to happen, Sony have also introduced what they term 'event editing', allowing multiple waveform 'events' to be placed within a single data window. Amongst the other new features, customisable window layouts and a number of new processing options also stand out. It has always been possible to copy, cut and paste chunks of a waveform within a Sound Forge session, but event‑based editing makes that whole process much more flexible. A new Event tool The new Event Tool (second from right) provides considerable extra functionality., with a waveform and pointing finger icon, allows you to create split points to divide your waveform into different sections (events), and to move these independently along the data window's timeline. Events can be made longer or shorter by dragging their boundaries, and they can also be overlapped, with crossfades automatically generated from a large number presets that would accommodate most situations. New events can be copied and pasted from other data windows, while complete files can be dragged and dropped from the Windows Explorer into an existing data window. #SONY SOUND FORGE PRO 10 PATCH DOWNLOAD WINDOWS#
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